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Mikhail Bulgakov: The Master and Margarita

Examine a landmark work of twentieth-century literature through themes of censorship, morality, faith and artistic freedom. Explore how fantasy, satire and allegory challenge political power while raising enduring questions about truth, love and conscience. Gain deeper historical and cultural insight through thoughtful discussion and close reading.

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  • 12 hours over 4 sessions

Express Checkout – $355

Mon. Oct 19, 2026, 6:30pm ET (4 sessions)


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  • Mon, Oct 19 at 6:30pm - 9:30pm
  • Mon, Oct 26 at 6:30pm - 9:30pm
  • Mon, Nov 02 at 6:30pm - 9:30pm
  • Mon, Nov 09 at 6:30pm - 9:30pm
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Class Description

Description

Written between 1928 and 1940 but unpublished in his lifetime (for fear of offending the Soviet authorities), Mikhail Bulgakov’s multilayered, genre-defying novel The Master and Margarita appeared finally, in censored form, in 1966—and became an instant international sensation. A landmark of Magical Realism, and a stinging satire of Soviet bureaucracy, the novel depicts the Devil, disguised as Professor Woland, as he challenges the official atheism of Soviet society through magic and prophecy. When Ivan Bezdomny, a fledgling communist poet, reports the supernatural feats of Woland and his gang to the authorities, he is placed in a psychiatric asylum, where he meets the mysterious Master, forcibly separated from his beloved Margarita. As Woland wreaks havoc outside the asylum walls, the Master relates his tale of faith and the struggle between good and evil. Bulgakov, himself a dissident author, asks his readers: How can an artist speak truth to power in a society constructed around lies? Is love greater than truth? And can one be honest in dishonest times?

In this course, we will address these questions by reading the entirety of The Master and Margarita (Pevear and Volkhonsky translation). Together, we will consider how Bulgakov uses allegory, fantasy, and satire to challenge official narratives and expose the tensions between the individual’s conscience and faith, socially-constructed truth, and state power. Throughout the course, we will attend the cultural and historical context of the Soviet Union under Stalin, state atheism, the dissident samizdat press as we explore questions about censorship and creativity, representations of good and evil, the roles of memory and history, and the transformative powers of love and art: Do right and wrong exist? Can a faith lost be regained? What are the psychological consequences for an individual who seeks a path against the expectations of the status quo?

Remote Learning

This course is available for "remote" learning and will be available to anyone with access to an internet device with a microphone (this includes most models of computers, tablets). Classes will take place with a "Live" instructor at the date/times listed below.

Upon registration, the instructor will send along additional information about how to log-on and participate in the class.

Refund Policy

  • Upon request, we will refund less 5% cancellation fee of a course up until 6 business days before its start date.
  • Students who withdraw after that point but before the first class are entitled to 75% refund or full course credit.
  • After the first class: 50% refund or 75% course credit.
  • No refunds or credits will be given after the second class.

In any event where a customer wants to cancel their enrollment and is eligible for a full refund, a 5% processing fee will be deducted from the refund amount.

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Brooklyn Institute for Social Research

The Brooklyn Institute for Social Research, established in 2011, offers liberal arts education and research opportunities to local communities while supporting young scholars. With a mission to engage various intellectual traditions, the institute aims to provide accessible education and foster active, engaged citizens.

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Brooklyn Institute for Social Research
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