Contemporary landscapes in oils, pastels, etching and collages.
About Ken Elliott:
My involvement in the art business has now spanned over 40 years. I began as a picture framer, then worked alongside an art restorer, became an art dealer, and about 25 years ago, began to draw and paint. In my career, I’ve been fortunate to have seen remarkably good works of art and met some of the best painters in the field.
My focus is the landscape and its rich store of ideas and inspiration. I am compelled to work from the trees, skies, lakes and streams in their endless variations. I don’t try to recreate nature (even Monet said he never got it right) or attempt storytelling. Instead, the works are simplifications and exaggerations of nature. There was a time when I felt the tyranny of the landscape. That is, I felt limited by making pictures of a place. Now, instead of making pictures, I am free to make paintings - art that comes from nature but is far more reliant on the strategies of making good art objects.
Tomorrow in the studio, perhaps new oils and pastels will emerge and come to completion and next week, perhaps another date at the printer. The fun of it all is that sometimes the pastels become new oils, oils become slightly different prints, prints become entirely new oils. All of nature is altered, perfected, abstracted. When you run out of variations to an idea, you can go back to nature where all the ideas and colors for a lifetime are always waiting.
I feel so enriched and on fire to paint big and glowing colors. If you ever get a chance to study with Ken Elliott, I highly recommend him. If you need help getting to his workshops just read his book Manifesting 123
Hey, I DEFINITELY recommend this! SIGN UP for Ken's class! Take your art further than it's ever been
Your workshop changed my whole outlook on what I might be able to do with my art career and gave me the confidence to really go for it. It was also huge from a creative standpoint, helping me focus on color and having that be the lead/primary solution to my paintings as a colorist and abstract artist - but also from the manifesting angle it was my introduction to the whole idea and what set me on my course as a professional artist.